Force her to go through the conventions of investigating and tracking down a killer even crazier than her. Let’s make her a detective in a crime show. Literally put her behind glass (or to be pedantic, behind a Liquid Crystal Display).
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“So how to approach this problem? How to contain her and make her do what you want? How to make her leave the other characters alone for long enough to carry through a story that is dramatic, exciting and more than twenty seconds of chat-quip-cocktail-umbrella-aargh? Her focus should always be elsewhere, because if her focus is on you then you’re in trouble. And the Master/Missy is Doctor Who’s very own psycho-killer queen-king. You can’t write a scene with them sharing a drink with another character, because half a page later that other character will inevitably be lying on the floor gargling their last breath because they’ve swallowed poison, or had the little umbrella stuffed down their throat. Nev Fountain: “There are some characters you can only show through glass. “So if you enjoy this, thank the two of them. Michelle and Rufus have brought these two legendary characters to life so vividly and richly that really I just had to fling them into a room together and see what happened. Where they live in your imagination and the words just flow. Where the character and actor are aligned as one. “When it’s any good, that’s usually because the characters and strong and distinct. And if you’re quick, you can write down what they say. The first to find out what they have to say. You’re the first person in the world to hear these characters speak to each other. "I’ve talked in the past how I often feel that writing a Big Finish script is like having the best seats in the house. “That’s all you need, isn’t it? What else do you want me to say?
It was an absolute delight to drop the chaotic and playful Missy into that world, and watch her connive a way back out… Better behave now, or she’ll be back to sort you out – just when you least expect it!” In more recent years, writers like Neil Gaiman, China Miéville and Ben Aaronovitch (now where have I heard that name before?) have explored the landscape of hidden, magical London. “ E Nesbit – creator of The Phoenix and the Carpet – trod this sort of landscape even before PL Travers created Mary Poppins, fashioning a pioneering sort of Urban Fantasy in which magic lurked around every soot-stained corner (and monsters were usually sarcastic). I delved eagerly into a shadowy London, filled with secrets and strange, ancient creatures. She would need a reason to be where she was, a reason not to bump her meddling charges off, and a reason to delve into the world of dark magic – and everything would have to be underpinned with a Doctor Who-ish logic! With those factors in mind, I set about telling my story. “ Missy would never tolerate the company of children for long, let alone a couple of teenagers (like my Oliver and Lucy Davis). Big Finish producer David Richardson wanted a Victorian-era story that would explore this surprising aspect of Missy, and I was happy to oblige.
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Roy Gill: “ A Spoonful of Mayhem doesn’t hide the famous story it initially pays homage to – from the moment Missy floats down from the heavens clutching her brolly (in TV episode Death in Heaven) the evil Mary Poppins imagery was heavily implied. Recorded at: Moat Studios / Koko Productions It’s almost as if they don’t want to unearth an ancient artefact to fulfil Missy’s plans for universal domination. Not too much to ask…īut slaves will keep rebelling. All she must do is subjugate one little planet and bend the inhabitants to her will.
Luckily, DI Missy Masters from Scotland Yard in England, London, England is here to help.ġ.4 The Belly of the Beast by Jonathan Morris And Joe has one long night to solve the case. Tonight, on Dick Zodiac’s America’s Most Impossible Killers, Detective Joe Lynwood hunts the most impossible killer of his career. Missy just wants to be Queen.Īnd the Monk? Once he knows who else is on the scene, he’ll be glad just to stay alive. King Henry VIII is on the throne, and aliens are stomping through the countryside. Missy arrives in Tudor England, throwing the plans of another renegade Time Lord into chaos. She’s going to have to teach the children some rather harsh lessons about getting what you want.ġ.2 Divorced, Beheaded, Regenerated by John Dorney In a spot of bother in Victorian London, Missy is forced to take on governess duties.īut she has another scheme in mind, and her charges are simply in the way. Look out universe, Missy is on a mission. And to carry it out, she’s going to have to break some rules. What does she get up to when the Doctor isn’t around?
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